THE RECORDER
TYPE OF INSTRUMENT →Woodwind instrument,with an embouchure hole
MATERIALS USED TO MAKE IT→Plastic and wood
HOW IT IS MADE→
HOW WE TUNE IT →via the bore
MAIN PARTS →beak (or mouthpiece) - the part of the recorder you put between your lips .
double holes - Tone holes that have two separate holes.foot joint - the bottom part of the recorder; it has the bottom finger hole (a double hole) and is turned slightly to the side.
head joint - the top part of the recorder, the part you blow into.
lip (or labium) - the sharp edge abutting the window; air from the windway hits the labium and produces sound. Never touch this part of the recorder - it can warp.
middle section (or barrel) - the middle part of the recorder; it has most of the finger holes.
ramp - the gradual incline that leads to the window (in the head joint).
tone hole (or finger hole) - Holes that are covered and uncovered by the fingers to change the note played.
window - the rectangular hole in the mouthpiece.
INSTRUMENTAL ENSEMBLES IT CAN PLAY→All types
IMPORTANT COMPOSERS AND WORKS →
- Aldo Abreu
- Piers Adams
- Giovanni Antonini
- Rachel Begley
- Vicki Boeckman
- Kees Boeke
- Erik Bosgraaf
- Adriana Breukink
- Drora Bruck
- Daniël Brüggen
- Frans Brüggen
- Michael Copley
- Patrick Denecker
- Arnold Dolmetsch
- Bertho Driever
- Horacio Franco
- Walter van Hauwe
- Peter Holtslag
- Friedrich von Huene
- Edgar Hunt
- Jorge Isaac
- Ricardo Kanji
- Erich Katz
- Jill Kemp
- Hans Maria Kneihs
- Bernard Krainis
- Barthold Kuijken
- Genevieve Lacey
- Dan Laurin
- Paul Leenhouts
- Hans-Martin Linde
- Matthias Maute
- Fred Morgan
- David Munrow
- Dorothee Oberlinger
- Michala Petri
- Philip Pickett
- Barnaby Ralph
- Gwyn Roberts
- Pete Rose
- Michael Schneider
- Ashley Solomon
- Karel van Steenhoven
- Maurice Steger
- Linda Turbett
- Marion Verbrugger
By:Claudia Gómez
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